Devilishly Delovely
The Songs of Cole Porter and Friends
Bass Hall
19 Grove Street
Peterborough, NH
3:00pm: 17 August 2025
Join us for this memorable concert featuring Raylynmor favorites Michael Scarcelle and Brendan Shapiro as they present a concert featuring the music of one of America's most beloved composers, Cole Porter, and composers he influenced.
Don't miss it! One performance only!
Meet the Artists
Michael Scarcelle, bass-baritone
Garnering praise for his combination of vocal beauty, musicality and charisma, bass-baritone Michael Scarcelle has proven his versatility in concert, recital, opera and theatre. Recent performances include Figaro THE MARRIAGE OF FIGARO with Opera Theatre of Pittsburgh, Papageno THE MAGIC FLUTE and The Pirate King THE PIRATES OF PENZANCE with Anchorage Opera, Herrmann Augustus CANDIDE with Leipzig MDR Symphony Orchestra, Poo-Bah MIKADO with Mobile Opera, HYDROGEN JUKEBOX with Skylight Music Theatre, Poo-Bah MIKADO with Shreveport Opera. Other performance highlights include Demetrius A MIDSUMMER NIGHT'S DREAM with Opera Naples, King Melchior AMAHL AND THE NIGHT VISITORS, Beaupertuis in Nino Rota's THE ITALIAN STRAW HAT and Don Pedro LA PÉRICHOLE with Amarillo Opera, Alidoro LA CENERENTOLA and Ceprano RIGOLETTO with Salt Marsh Opera, and the role of Death in Holst’s SAVITRI with Little Opera Theater of New York, for which The New York Times praised his “forbidding, resonant bass-baritone.”
In 2015 he made his Carnegie Hall debut as Masolino in American Symphony Orchestra’s performance of Schillings’ MONA LISA, then performed at the hall again with New York City Chamber Orchestra as soloist for both Duruflé Requiem and Fauré Requiem. This season includes his Houston debut with Pangloss CANDIDE with Opera in the Heights, Vodnik RUSALKA with Resonance Works in Pittsburgh, Mozart Requiem with Westminster Orchestra, the bass soloist in Greenwich Choral Society's concert of Handel's JUDAS MACCABAEUS as well as a return to Carnegie Hall for the highly acclaimed concert of Distant Worlds Philharmonic Orchestra showcasing the music from Final Fantasy.
Brendon Shapiro (Pianist)
Pianist, vocal coach, and conductor, Brendon Shapiro, is a champion of vocal music of the 20th and 21st centuries. He is passionate about the way music can help to shine a light on stories and perspectives that have not historically been represented on American stages, and he specializes in working closely with singers and composers to create performances that will communicate effectively with diverse audiences.
Brendon is a regular member of the music staff at Boston Lyric Opera where he was an Emerging Artist pianist from 2018-2020 and has served as pianist and coach for Eurydice, The Anonymous Lover, Omar, Bluebeard’s Castle, The Rape of Lucretia, Pagliacci, and Cavalleria Rusticana. He also was the pianist for BLO’s video series entitled ‘B.’ which features music written by Asian composers and/or inspired by Asian cultures, as well as the world premiere of Omar Najmi's song cycle, ‘my name is Alondra,’ as part of BLO’s Poetry in Music initiative.
Brendon is also an alumnus of LA Opera's Young Artist Program where he worked with such artists as Renée Fleming and Susan Graham and played a key role in the musical preparation for the world premiere of Matthew Aucoin's Eurydice, along with productions of La Traviata, El gato montés, La Clemenza di Tito, The Light in the Piazza, and Satyagraha. He returned to LA Opera in 2022 to work on Rhiannon Giddens’ and Michael Abels’ Omar.
Other recent productions in which Brendon served as répétiteur include Omar at San Francisco Opera, El último sueño de Frida y Diego and X: The Life and Times of Malcolm X at Opera Omaha, Awakenings and X: The Life and Times of Malcolm X at Odyssey Opera, Henry VII and Die Schweigsame Frau at Bard SummerScape Festival, La Traviata at Boston Youth Symphony Orchestra, As One at Opera Maine, La caravana de mujeres (workshop) at MASSOpera, La Clemenza di Tito at Opera Steamboat, and Tosca at the Phoenicia International Festival of the Voice.
As a conductor and musical director, Brendon helps bring new works to life at Catalyst New Music, a company he co-founded with his husband, Omar Najmi, in 2022. They have workshopped Najmi’s operas This is Not That Dawn and En la ardiente oscuridad and started an art song development program called FUSE: Collaborations in Song. Brendon has also conducted at Opera Fayetteville (Second Nature), Boston Opera Collaborative (La Rondine, The Dangerous Liaisons), and MASSOpera (Miss Havisham’s Wedding Night, The Beautiful Bridegroom) and has served as assistant conductor at Boston Conservatory at Berklee (As One, The Island of Tulipatan, Susannah).
Brendon is the Executive Director of Boston Singers’ Resource, a non-profit organization dedicated to providing classical singers with the tools they need as they pursue their careers. While at BSR, Brendon has been developing new programs designed to provide more opportunities to emerging singers in the New England area. He has been on faculty as a vocal coach at Boston Conservatory at Berklee, University of Massachusetts Amherst, The Empowered Musician, and the Boston University Tanglewood Institute, and coaches extensively from his home in Malden, Massachusetts, where he lives with his husband, tenor and composer, Omar Najmi, and his tuxedo cat Wally.